Category: Design
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What about Ukraine?
It has been challenging for me to think about the implications of Ukraine’s war on graphic design. I haven’t read any texts or interventions on the subject. Before writing this post, I took a look at Aiga Eye on Design and Design Observer and found nothing. The same at Futuress. I don’t know if I […]
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War pastimes
When the war in Ukraine began, I was playing Wordle every day. The violence of Russia’s unprovoked invasion threw me off that daily pastime. It was impossible to carry on as usual. I regularly argued with people who denied Russian war crimes or blamed them on Ukraine or Nato. My sister went twice to Ukraine […]
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Graphic Design under sanctions
An interesting peek on what sanctions are doing to graphic design and publishing in Russia. No Photoshop, no Indesign, no Illustrator. And, worse, no Instagram. For designers, this looks like postapocalyptic times. I would love to read a more in depth article on the subject about designers coping with sanctions. From the article: «“Since the […]
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What Comes After Form? (2)
If Form is not Design’s paradigm anymore, what comes next? If you’d asked art critic Hal Foster around the turn of the Millenium, he would probably answer Design itself succeeded Form. In 2000, Foster published his influential essay “Design and Crime,” which echoed Adolf Loos’ “Ornament and Crime.” Loos’ text was a violent, often racist […]
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What Comes After Form?
There was a time when every other design book or magazine had to mention «form» on its title. When did speaking about form in graphic design begin to feel so dated? It’s not that form has vanished, but designers no longer consider it an overarching problem. It’s taught at school using old Bauhaus or Swiss […]
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Design as a morality of form
What had Jan Tschichold and his adversary Max Bill in common? Both equated form with morality. During design’s high modernist phase, it was usual to talk about form in terms of morality, personal but, above all, civic. Good form was a moral and not so much a political objective. On the old form/content divide, politics […]
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Form is political
What are we speaking about when we speak about the politics of design? The “First Things First Manifesto,” published originally in 1964 and updated periodically, is an excellent place to search for an answer. In brief, the manifesto appeals to designers to do less publicity work for corporate clients, choosing instead to solve public and […]
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Peculiar Photo Books
Once in a while, I write about children’s photo books. Nowadays, most children’s books are illustrated, but there was a glorious period from the 1950s to the early 1980s when the format thrived, only to decline and almost disappear. I researched and collected those books to assess their unique narrative qualities and why the genre […]
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Louise Brooks, 1986
If not for the year printed on the lower right corner, you could date this small collection of Louise Brooks’ essays designed by Luís Miguel Castro just by the generous letterspacing. In the first half of the 1980s, it was fashionable to space every typographic element forming grids. The blown-out halftone pattern underlines this formal […]
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Max Bill’s Form
I love my copy of Max Bill’s Form, its cloth-bound cover covered in old age spots. A previous owner cut and glued the incredible dust cover on the paste-down endpaper. It was affordable though not cheap, a utilitarian purchase. Many modernist designers believe they can determine an object’s meaning and use once and for all. […]
Unseen by Design 